IN THIS WORLD
INSTALLATION
IN THIS WORLD is an immersive installation of light, sound, and moving images that explores how constant connectivity and accelerating flows of information are transforming our perception of reality. Conceived as a generative audiovisual environment, the work explores the way contemporary society is increasingly shaped through algorithms that learn, predict, and influence human behaviour at scale.
The installation unfolds across distinct stages that mirror our evolving relationship with digital systems. The experience is a dynamic sensory environment, challenging the perception of time and space. Lines shift and geometries evolve, flowing seamlessly with surround sound across surfaces to create the illusion of infinite space and transform the architecture itself, placing the audience inside a system that grows, adapts, and ultimately exceeds them.
INSTALLATION
IN THIS WORLD is an immersive installation of light, sound, and moving images that explores how constant connectivity and accelerating flows of information are transforming our perception of reality. Conceived as a generative audiovisual environment, the work explores the way contemporary society is increasingly shaped through algorithms that learn, predict, and influence human behaviour at scale.
The installation unfolds across distinct stages that mirror our evolving relationship with digital systems. The experience is a dynamic sensory environment, challenging the perception of time and space. Lines shift and geometries evolve, flowing seamlessly with surround sound across surfaces to create the illusion of infinite space and transform the architecture itself, placing the audience inside a system that grows, adapts, and ultimately exceeds them.
SURROUND SOUND
Sound was conceived as an immersive language in its own right, capable of transporting the audience into a fully physical experience. it grew from it, responding to its textures, rhythms, and spatial logic to create a unified sensory world. The audience does not watch the work from a distance; they are drawn inside it. Sound becomes environment. Image becomes architecture.
As an immersive Electric impulses and breathing harmonics glide within almost tangible sound waves through the room and build an intertwined mantle of electric crackles, sounds of digital bits and analog voltage. Displaced vocal fragments alter the harmonic elements and create a rhythmic pattern, that evolves into an abstract musical piece combining field recordings from natural sources with abstract synthesized melodies. The composition results into a menacing distorted landscape of majestic chords and sharpened metallic strings consisting of white noise built into inorganic scream-like sirens that hold a hypnotic and almost surreal touch.
EXHIBITIONS
November 2025 - February 2026
THE CUBE
Istanbul, Turkey
November 2025 - March 2026
Immersive Museum
Sibiu, Romania
CREDITS
ART DIRECTION - CONCEPT - GENERATIVE VISUAL
Maotik
SOUND ARTIST
Frieder Nagel
Comissioned by
Olga Vad
PRODUCED BY
Piksel Creatives Solutions